Now and then, we must re-visit our history to know what we’ve gained in our progression of movie-watching. When we began our film exploration in January 2010, it was simply that, an exploration. However, even then, we looked at films that revealed important ways in which the movie and the spectator interact to construct their stories and to reveal their biases.
Since then, that exploration has evolved into a somewhat more systematic treatment of our focus of study. Through the use of themes and the occasional “film on film,” we are developing a better vocabulary for talking about our movies, and a better understanding of various aspects of film communication. Continue reading The Use of Images in Persuasion: Miracles and Magic in Montage
Here we are in 2017, just a short eight years away from the 100-year mark since Sergei Eisenstein’s Battleship Potemkin (1925) was released. Credited with revolutionizing the art and craft of filmmaking through its utilization of montage and special effects, this movie also forms an essential foundation for the use of film for propaganda. The film indeed remains influential today, not only for its innovative techniques, but also for its model as a clear example of persuasive methods. In fact, Battleship Potemkin was banned in several countries, including the UK, out of concern that it would motivate potential rebellion.
Hollywood pays homage to Eisenstein’s work
Unfortunately, for all his brilliance in filmmaking, Eisenstein Continue reading Sergei Eisenstein Leaves an Enduring Legacy for Filmmakers
By the 1890s, the technology of photography had evolved to a point where motion pictures were possible, and it didn’t take long for mankind to realize the enormous potential of the medium for propaganda. Motion pictures were easily understood for all levels of education, in spite of a silent screen, and could reach the masses in minimal time. Within 30 years of the first motion picture ever filmed, Russian movie maker Sergei Eisenstein had directed Battleship Potemkin (Eisenstein, 1925) with the purpose of creating goodwill for the Bolsheviks and building resentment towards the Tsarists. Continue reading Thoughts on Battleship Potemkin and Propaganda